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Download: 2011 Pittsburgh Biennial poster
Media Contact: Margaret Cox, firstname.lastname@example.org
2011 Pittsburgh Biennial Curator: Astria Suparak, email@example.com
For high-resolution images, click on the images on this page.
Press release Aug. 8, 2011:
Carnegie Mellon's Miller Gallery Opens New Section of Pittsburgh Biennial
Press release Dec. 7, 2010:
Pittsburgh Center for the Arts Announces Expanded 2011 Biennial with Warhol, Carnegie Museum of Art and CMU’s Miller Gallery
Jan. 2012 E-News: Opening Friday, Jan. 20 >Intimate Science exhibit + New Art/Science Affinities book launch
Oct. 2011 E-News: New Art/Science Affinities book +Pittsburgh Biennial events
Sept. 2011 E-News: 2011 Pittsburgh Biennial
Sarah Ross, Ryan Griffis, Lize Mogel: Global Cities, Model Worlds brochure
Temporary Services: Self-Reliance Library booklet
Transformazium: Make Your Own Gold coloring book; Deconstruction (Green Demolition) pamphlet
subRosa: Feminist Matter(s) map + Refugia Manifesto; Letter to a Feminist Scientist. Send replies to firstname.lastname@example.org
Pittsburgh Tribune-Review: "Top A&E stories of 2011," Pittsburgh Tribune-Review, Jan. 1, 2012
Pittsburgh Post-Gazette: "Artful Bounty: Revealing and relevant exhibitions deliver strong messages in 2011," Mary Thomas, Pittsburgh Post-Gazette, Dec. 28, 2011
Pittsburgh City Paper: "Best Super-Friends Imitation on the Art Scene: The Pittsburgh Biennial, multiple venues ," "Best of 2011: Culture and Nightlife," Pittsburgh City Paper, Dec. 2011
Hyperallergic: "The Pittsburgh Biennial at Miller Gallery is a visually and conceptually stunning exhibition that reinvigorates awareness of the problems that afflict the world today. Through its redefinitions of place and space and trespassing of disciplinary boundaries into economics and science, the biennial contributes to the larger conversation going on within the major currents of contemporary art as defined by [Terry] Smith: global connectivity, environmental issues and the effects of media. Part of the strength of this collection of works is its demonstration that art can not only visualize the problems we face on a global scale but can also inspire political participation and even further the critical dialogue about the role of art itself. Perhaps the artists’ commitment to collaboration, to working with others and negotiating their personal visions, is what makes this group so attentive to the infinite forms of interdependency that defines twenty-first century life—from gender and public/private domains, ecological sustainability, urban planning, the cultural commons and the political imagination." - Leila Nadir, "Globalization, the Environment and the Effects of Media," Hyperallergic, Dec. 3, 2011
Pittsburgh Post-Gazette: "Making A Point: Well thought-out installations that synthesize complex subjects... The exhibition, which opened Sept. 16, has become even more timely seen within the context of the Occupy Wall Street movement and its advocacy for cultural examination and social change." - Mary Thomas,"Activist art in Pittsburgh Biennial segment at CMU covers complex subjects," Pittsburgh Post-Gazette, Nov. 2011
Pittsburgh City Paper: "But in this multi-lensed vision of Pittsburgh's art scene [the 2011 Pittsburgh Biennial], perhaps no facet has been as ambitious as the Miller show, curated by gallery director Astria Suparak. Comprised of work by five teams of artists, the show focuses on groups approaching social issues, community life and transformation through art-initiated criticism," -Justin Hopper, "Transformations: The Miller Gallery lends the Pittsburgh Biennial a collaborative edge," Pittsburgh City Paper, Nov. 2011
Pittsburgh Quarterly: "If the Biennial achieves and sustains the momentum it needs, it will, biennially, be the envy of many cities in America... Astria Suparak, curator and director of the Miller Gallery, has advanced in the Biennial's web site a clear agenda... Notably, the university sponsorship of socially engaged art has had the effect of drawing new artists and collectives to the city and its satellites, some of which will be represented. This is a markedly different from the survey form of Biennial. Suparak's selection may give us some evidence of the phenomenon of artist flight from metropolitan centers, as much for financial reasons as academic or social. Two collectives have moved here, one to Braddock, one to Lawrenceville." - Graham Shearing, "A New Pittsburgh Biennial," Pittsburgh Quarterly, Fall 2011
Pittsburgh Post-Gazette: "Let's talk about art: What's an artist cooperative?," - Anna Venishnick for PF/PCA, Pittsburgh Post-Gazette, Oct. 2011
The Piper: "Expanding the Idea of Art, Q&A: Astria Suparak Brings National Attention to Miller Gallery," - Heidi Opdyke, The Piper, Sep. 2011
Pittsburgh Tribune-Review: "The remaining works on view are just as complex, combining the
talents of several artists in unique and interesting ways that provoke
the visitor into engaging with the work rather than simply explaining
the subjects they have tackled. But this makes for a fun and
multi-layered exhibit that visitors will definitely want to make time
for." - Kurt Shaw, "'Biennial' shifts to CMU with large-scale installations," Pittsburgh Tribune-Review, Sep. 2011
The Tartan: "Inspiring examples of the transforming power of collaborative art, and the results are worth the trip," - Alina Narvaez, "Citywide Pittsburgh Biennial comes to campus Miller Gallery joins Carnegie museums, Pittsburgh Filmmakers in showcasing local artists," The Tartan, Sep. 2011
The Tartan: "Insightful and entertaining, the presentation did a fabulous job of analyzing the massive socioeconomic footprint created by the confluence of such vastly diverse cultures," - Vijay Jayaram "Artists discuss impact of global 'mega-events' Mega-events generate long-lasting societal changes, dramatically alter local communities," The Tartan, Sep. 2011
The Tartan: "Meishi Street documents Chinese displacement Documentary captures frustration of citizens whose homes are being demolished by government" - Kechun(Coco) Mao" The Tartan, Sep. 2011
Pop City Media: "The work of contemporary artist collectives and female pioneers is taking center stage as the second wave of the Pittsburgh Biennial opens at two significant cultural venues the city this weekend."
- "Pgh Biennial continues at Miller Gallery & The Warhol," Pop City, Sep. 2011
Examiner.com: "Pittsburgh Biennial: Bigger than ever," - Seth Rosenberg, Examiner.com, Sept. 2011
CMU Homepage Stories: "Rising National Profile: The Miller Gallery at Carnegie Mellon University opens a new section of the 2011 Pittsburgh Biennial," Creativity in the Arts, Carnegie Mellon University Homepage Stories, Sept. 2011
Pittsburgh Tribune-Review: "Massive '2011 Pittsburgh Biennial' showcases works of artists with connection to region," - Kurt Shaw, Pittsburgh Tribune-Review, June 2011
Pittsburgh Magazine: "Pittsburgh Biennial," - Mike May, Pittsburgh Magazine, June 2011
Pittsburgh Post-Gazette: "The 2011 Pittsburgh Biennial has stirred a lot of speculation and buzz since it announced last year that it would spread into five venues and combine the judgment and insight of four of the city's most innovative young curators." - Mary Thomas, "The 2011 Pittsburgh Biennial contains an unusual show of top local artists" Pittsburgh Post-Gazette, June 2011
Pop City: "The show's unprecedented collaborative approach--which brings together four of the city's top arts institutions in Pittsburgh, is designed to showcase some of the most thought provoking and compelling work being created throughout the region today.
Pairing young emerging contemporary art curators from each organization, the ambitious show finds the venues breaking with tradition and creating a new collaborative model for the presentation of contemporary artworks. The powerhouse curatorial team includes Eric Shiner, Milton Fine curator of art at The Warhol; Dan Byers, associate curator of contemporary art at Carnegie Museum of Art; Astria Suparak, curator/director of The Miller Gallery at Carnegie Mellon; and Adam Welch, curator of Pittsburgh Filmmakers/Pittsburgh Center for the Arts." - Jennifer Baron, "Pittsburgh Biennial Opens Around Town," Pop City, Pop Filter Hot Pick, June 2011
Carnegie Magazine: "The upcoming Pittsburgh Biennial offers a new precedent of collaboration among the city's major art institutions, all in the name of showcasing Pittsburgh-nurtured talent," - Cristina Rouvalis, "Pittsburgh Bred," Carnegie Magazine, June 2011
Pittsburgh Post-Gazette: "The first Pittsburgh Biennial to span four major city arts institutions and five venues since the exhibition was initiated in 1994" - Mary Thomas, "Expanded Pittsburgh Biennial plans exhibits in 5 sites," Pittsburgh Post-Gazette, May 2011
WDUQ News Blog: "60+ Artists in 2011 Pittsburgh Biennial," - Mark Nootbaar, WDUQ News Blog, May 2011
Co-organized by the Carnegie Museum of Art, Miller Gallery at Carnegie Mellon University, Pittsburgh Filmmakers/Pittsburgh Center for the Arts (PF/PCA), and The Andy Warhol Museum.
Sept. 16 - Dec. 11, 2011 at the Miller Gallery at Carnegie Mellon University
Artists: Justseeds, Lize Mogel, Sarah Ross, and Ryan Griffis, subRosa, Temporary Services, Transformazium
Organizer: Astria Suparak, Director, Miller Gallery at Carnegie Mellon University
Setting a new precedent for city-wide collaboration among major art institutions, the 2011 Pittsburgh Biennial is co-organized by Carnegie Museum of Art, Miller Gallery at Carnegie Mellon University, The Andy Warhol Museum, and Biennial founders Pittsburgh Filmmakers and Pittsburgh Center for the Arts. Each of the five partner institutions will present a distinct exhibition of work by artists connected to the Pittsburgh region, reflecting each organization’s curatorial focus.
The Miller Gallery at CMU’s presentation, organized by gallery director Astria Suparak, features artists who work collaboratively, harmonizing individual perspectives, ideas, and talents. Embodying self-sufficiency within a cooperative spirit, the collectives and collaborators encourage us to reassess our assumptions and values, reveal the global in the local and the personal in the political, and imagine alternate realities and possible futures. The exhibition unveils four new installations and two recent projects, and includes sculpture, printmaking, painting, video, publications and workshops.
Sarah Ross and Ryan Griffis of Chicago and Carnegie Mellon alumna Lize Mogel of New York debut Global Cities, Model Worlds, an installation that explores the spatial and social impacts of “mega events,” such as the Olympics and World’s Fairs. The host cities of these international spectacles seek to transform themselves into “global cities” through planning, architecture, and ideology. Locally, these events pave the way for redevelopment projects that can create new public resources such as parks, stadiums, or transportation infrastructure, but often result in significant displacement of residents or industry, reinforcing existing inequalities. This installation asks us to consider what would happen if a mega event came to Pittsburgh. Using evidence from dozens of site visits and more than a decade of research, Global Cities contrasts the promise of transformation with the on-the-ground realities of urban development.
Transformazium, comprised of Ruthie Stringer, Dana Bishop-Root, Leslie Stem, and Caledonia Curry, create an evolving installation with bricks from a condemned building they deconstructed near their home in North Braddock, an outer borough of Pittsburgh. During the course of the exhibition, collective members and gallery visitors will clean the bricks, visibly transforming waste to useable resources and underlining the economic viability and environmental sustainability of deconstruction, or “green demolition.” In neighborhoods that face high levels of property abandonment as well as persistent under-employment, deconstruction “makes room for the possibility to discover wealth in places of blight and energy in places of stagnation.” Transformazium’s relationship-based practice examines systems of values, with a mission to use the creative process to transform ideas into tangible social and economic benefits.
Justseeds is a worker-owned cooperative of 26 printmakers in the U.S., Canada, and Mexico, with members and a distribution center in Pittsburgh. For the Biennial they built a landscape overpopulated by billboards. The artists simultaneously subvert the hard-to-ignore, omnipresent advertising medium and playfully concede their didactic tendencies; instead of peddling products, the handmade billboards advocate for borderless nations, indigenous sovereignty, and immigrant rights. Justseeds believes in “the transformative power of personal expression in concert with collective action.”
subRosa, a collective whose core members are Hyla Willis of Pittsburgh and Faith Wilding of Providence, speculate on how feminism could affect the scientific world, as it has with art and other areas of culture. In their new installation Feminist Matter(s): Propositions and Undoings, they invoke cultural producers, experimenters, and processes that could be antecedents of this new way of thinking and working, including 4th century scientist and inventor Hypatia; Romantic poet William Blake; modernist writer Virginia Woolf; interior designers the Omega Workshop; para-surrealist painter and anarchist Remedios Varo; and groundbreaking geneticist Barbara McClintock. Inspired by Woolf’s antidote to the war-mentality brewed in boardrooms and command centers, subRosa re-envisions lab workbenches as a series of small tables for more intimate and conversational “tea-table thinking.”
Temporary Services, composed of Carnegie Mellon alumnus Marc Fischer in Chicago, Salem Collo-Julin in Philadelphia, and Brett Bloom in Copenhagen, present two projects. Self-Reliance Library is a collection of recently published and out-of-print books and reference materials that the artists have found inspiring and hope will “provoke the reader, solve creative problems, or suggest imaginative directions for a range of creative practices.” Topics represented in the library include visionary architecture, nomadic living, self-publishing, everyday repair solutions, designs for alternate realities, survivalism, and skill-sharing. Personal Plastic is an ongoing project that explores the problem of plastic bags in our waste stream. Made from recycled bags, the banners feature quotes drawn from books in the accompanying library.
The artists in the Pittsburgh Biennial at the Miller Gallery at CMU choose to work with others, negotiating their individuality for the sake of the group or project. This collaborative approach echoes the long labor and union histories of the area, as well as the Biennial’s new partnership among local art organizations. This multigenerational selection of artists, who currently live in Pittsburgh or spent significant time here, also exhibit internationally, reflecting the connection Pittsburgh has to the global art world and broader discourses. The projects included here demonstrate the strength of collective voices in deciding the future of neighborhoods, cities, nations, and societies, and the importance of intimate conversations and compassionate listening.