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docExhibited Works Guide

docPress release: Miller Gallery Hosts MAXIMUM MINIMUM IN UNUM, Jan. 23 – Feb. 28, Jan. 11, 2016

Nov. 2015 E-News: Join us JAN. 22, 6pm: MAXIMUM MINIMUM IN UNUM + Spring Season 2016 at the Miller Gallery!

Related Publication

docCATALOGUE: MAXIMUM MINIMUM IN UNUM with essays by Joshua Reiman and Susanne Slavick

Now on View

Ben Bigelow, Unnecessary Mountain, 2016
White Noise from the series The Wrong Place, Felipe Castelblanco, 2014
Peter Coffin, Untitled (Ribbons), 2012
Ron Desmett, Persephone’s Garden, 2015
Maggie Haas, Tumbling Blocks, 2010
Institute for New Feeling (Scott Andrew, Agnes Bolt, Nina Sarnelle)
Laleh Mehran, Entropic System, 2016
Shana Moulton, The Undiscovered Drawer, 2013, 9:19
Zak Prekop, Transparency with Drawing, 2014
Paul Rouphail, No Problemo, 2015
Diane Samuels, Metamorphoses, Ovid, 2014
Carrie Schneider, Burning House, 2013, 14:00

Jina Valentine, Testimony, Disintegration, 2015

Rebecca Vaughan - "Ham" 2012 silver lame', 6 ft step ladder
Greg Witt, Light Switch, 2011

Click on images to download high res photos.


Curated by Joshua Reiman and Susanne Slavick
Jan 23 – Feb 28, 2016

Participating artists, all alumni of the Carnegie Mellon School of Art, include: Ben Bigelow, Felipe Castelblanco, Peter Coffin, Ron Desmett, Maggie Haas, Institute for New Feeling (Scott Andrew, Agnes Bolt and Nina Sarnelle), Laleh Mehran, Shana Moulton, Zak Prekop, Paul Rouphail, Diane Samuels, Carrie Schneider, Jina Valentine, Rebecca Vaughan, and Gregory Witt.

Jan. 22, 6-8pm: Reception with a performance by Institute for New Feeling
RSVP on Facebook

Rotating featured installations + performances (1st floor):
Jan. 23-31: Institute for New Feeling (Scott Andrew, Agnes Bolt, Nina Sarnelle), Furthering Cream, 2016. Animation by Gary Tyler.
Feb 2-14: Felipe Castelblanco, Free (Get a Life) and White Noise
Feb 16-28: Shana Moulton, The Undiscovered Drawer, 2013, 9:19 min and Restless Leg Saga, 2012. 7:24min

Artists Talks:
Jan. 19, 5pm: Laleh Mehran
@Frank-Ratchye Studio for Creative Inquiry, CFA 111
RSVP on Facebook

Jan. 26, 5pm: Ben Bigelow
@CFA, Kresge Theater.
RSVP on Facebook
Talks Presented by the CMU School of Art Lecture Series.

Related Course:
Joy Before Death: Minimalism to Maximalism, CMU School of Art, Prof. Melissa Ragona.

About the Exhibition

This exhibition features artists whose work eludes maximalist or minimalist classification. They probe or collapse extremes, whether ideological or aesthetic. Multiple dualities run parallel or intersect in their practices. Co-curators Josh Reiman and Susanne Slavick selected works in which these seemingly opposing qualities — both separately and together — coalesce.

About the Artists

Ben Bigelow
Ben Bigelow’s work explores the shifting identity of Americana and its relationship to technology through combinations of video, installation, performance, and photography. Venues for past exhibitions include: Kala Art Institute, Berkeley; City Limits Gallery, Oakland; the Institute of Contemporary Art, Philadelphia; and the Harlem Factory Fest in New York City. In 2014, he lectured in the Department of Art & Art History at Stanford University and in 2015 was a faculty member in the SIM Department at the Massachusetts College of Art & Design. He has an MFA from Stanford University and a BFA (2008) from Carnegie Mellon University. Originally from Los Angeles, he currently lives and works in Brooklyn, New York.

Felipe Castelblanco
Felipe Castelblanco is a multidisciplinary artist working at the intersection of socially engaged and new media art. A 2013 MFA alumnus of Carnegie Mellon, he attended Skowhegan School of Painting and Sculpture in 2012. International venues for his work have included: the Royal Academy of Arts, London; the San Diego Museum of Art; FAD Festival in Belo Horizonte, Brazil; FIVAC Festival in Camagüey, Cuba; PRACTICE Gallery in Philadelphia; the Valenzuela Klenner Gallery in Bogotá, Colombia; and in storefronts and street corners throughout the United States. Castelblanco has been the recipient of the 2013 John Fergus Post MFA Fellowship at The Ohio State University in Columbus, the 2014 Starr Fellowship at the Royal Academy in London, and in 2015 served as a Cultural Emissary in the Philippines with U.S State Department and U.S Embassy in Manila through the American Arts Incubator exchange program.

Peter Coffin
Peter Coffin has mounted over 30 solo museum and gallery exhibitions internationally at venues such as: the Hirshhorn Museum and Sculpture Garden, Washington D.C.; the Center d’art Contemporain d’Ivry, France; The Barbican, London; Le Centre d’Art Contemporain de Fribourg, Switzerland; Palais de Tokyo, Paris; the Horticultural Society of New York; and Le Confort Moderne, Poitier. His work has been included in art biennials in Berlin, Belgrade, Liverpool, Moscow, New York, Trentino and Yokohama and in numerous museums such as: the Singapore Art Museum; Schirn Kunsthalle, Frankfurt; El Centro Andaluz de Arte Contemporáneo, Seville, Spain; Yerba Buena Center for the Arts, San Francisco; The Geffen Contemporary at MoCA, Los Angeles; Boston Museum of Fine Arts; Nouveau Musée National de Monaco, Monaco; The Israel Museum, Jerusalem; the CAPC musée d’art contemporain de Bordeaux, France; Saatchi Gallery, London; Hessel Museum of Art, Annandale-On-Hudson, NY; Solomon R. Guggenheim Museum, New York; Museo d’Arte Contemporanea, Rome; and Tate Britain, London among others. Peter Coffin was born in Berkeley, California in 1972. He studied at the University of California, Davis and is a 2000 MFA alumnus of Carnegie Mellon. He lives and works in New York City.

Ron Desmett
Ron Desmett is a contemporary sculptor using molten black glass to disturb the canons of craft. Black glass is his holy grail. Subverting a material known for its sleek beauty and transparency, he creates slumped, dark and earthy forms. Desmett is a descendant of Belgian coal miners relocated in the diaspora of migrants to the mines of Clearfield, Pennsylvania where he was born in 1948. He has received awards from the Pennsylvania Council on the Arts, including Pennsylvania Artist of the Year 2013-2014. In 2010, he was Artist in Residence at the Tacoma Museum and has also been a resident artist at Artpark in Lewiston, NY and the Contemporary Art Center at Wheaton Village, Millville, NJ. His works are in the permanent collections of the Renwick Galleries of the Smithsonian Institution, the Carnegie Museum of Art, the Westmoreland Museum, the Tacoma Museum of Glass, the American Museum of Glass at Wheaton Village and the Corning Museum of Glass in New York.

Maggie Haas
Maggie Haas is an artist and writer based in San Francisco. She holds an MFA from California College of the Arts, and a BFA (2003) from Carnegie Mellon University. Haas has exhibited at venues including the Lab, San Francisco; Arttransponder, Berlin; Slow, Chicago; and the Royal Nonesuch Gallery, Oakland. She is Featured Artist Editor at Little Paper Planes, and coproduces the interview series LPP In Conversation for Art Practical.

The Institute for New Feeling
The Institute for New Feeling is a research clinic committed to the development of new ways of feeling, and ways of feeling new. The Institute is the inventor of its own authority, borrowing from the language of corporate branding and new age healing, as well as that of mainstream medicine, therapy, health and beauty. It’s work takes the form of treatments, therapies, retreats and wellness products that acknowledge the contemporary digital age’s modes of production, consumption, and distribution of goods and services.

Founded by Scott Andrew, Agnes Bolt, and Nina Sarnelle, IfNf’s physical existence is regularly shifting but its long term plan is to open a permanent space/spa in Los Angeles.

The Institute for New Feeling has recently exhibited at Recess, NY; Southern Exposure, San Francisco; Thank You For Coming and Eastside International, Los Angeles; Open Engagement Conference, Queens Museum of Art, NY; Spaces, Cleveland; Vox Populi, Philadelphia; and Threewalls, Chicago, among other venues. IfNf has been featured on Clocktower Radio and KChung Radio and their work has recently been reviewed in Art in America, Huffington Post, Animal NY, Fader, Hyperallergic, ArtFCity, and ArtHopper.

Laleh Mehran
Laleh Mehran constructs elaborate artworks focused on complex intersections between politics, religion, and science. The progeny of Iranian scientists, Mehran’s relationship to these issues is necessarily complex, even more so given today’s political climate in which certain views can have extreme consequences. Her research, often modeled on and about the very ideas of science and technology, takes advantage of their cultural importance in order to articulate a set of ideas that require precisely these kinds of mediations from both political and religious intolerance. Considerations that shape her work are as veiled as they are explicit, as personal as they are political, and as critical as they are tolerant. Mehran received her MFA in 1997 from Carnegie Mellon. Her work has been shown individually and as part of collectives in venues including: The International Symposium on Electronic Art, United Arab Emirates; National Taiwan Museum of Fine Arts; Electronic Language International Festival, Brazil; Massachusetts Museum of Contemporary Art; The Georgia Museum of Art; The Andy Warhol Museum; Denver Art Museum; Biennial of the Americas at the Museum of Contemporary Art Denver; 404 International Festival of Art & Technology, Argentina; Next 5 Minutes 4 Tactical Media Festival, Netherlands; and the European Media Arts Festival, Germany. Mehran is an Associate Professor and Graduate Director in Emergent Digital Practices at the University of Denver.

Shana Moulton
Shana Moulton creates evocative and oblique narratives in video and performance works. Combining an unsettling, wry humor with a low-tech, Pop sensibility, she plays a character whose interactions with the everyday world are both mundane and surreal, in a domestic sphere just slightly askew. As her protagonist navigates the enigmatic and possibly magical properties of her home decor, Moulton initiates relationships with objects and consumer products that are at once banal and uncanny. Shana Moulton was born in 1976. She studied at the University of California, Berkeley and Carnegie Mellon University where she received her MFA in 2004. Moulton has also attended the Skowhegan School of Painting and Sculpture in Maine and studied at De Ateliers in Amsterdam. Her video work has been screened and exhibited at international venues including: Art in General, New York; Migros Museum, Zurich; Contemporary Museum of Art, Uppsala; Rencontres internationales Paris/Berlin; Aurora, Edinburgh; Dark Light Festival, Dublin: Impakt Festival, Utrecht; Internationale Kurzfilmtage, Oberhausen; Broadway 1602, New York; and Gimpel Fils, London. Moulton has performed at venues including The Kitchen, Electronic Arts Intermix, PERFORMA 09 and Socrates Sculpture Park in New York; Aurora Picture Show, Houston; and The Bluecoat, Liverpool, among others. Moulton lives and works in Brooklyn, New York and teaches at Kunstakademie in Muenster, Germany.

Paul Rouphail
Paul Rouphail is a painter who fuses architectural history, American pop
iconography, and linguistic turns of phrase. His works have been exhibited
at the The Gelman Gallery at the Rhode Island School of Design, Microscope
Gallery in Brooklyn and The Chautauqua Institution, among others. Rouphail’s work has been been reviewed online and in print, including in New American Paintings (Issue 122), The Chautauqua Daily (Howard Halle), and Gestalten Press’ Imagine Architecture (Lukas Feireiss and Robert Klanten). Rouphail is currently an MFA candidate at the Rhode Island School of Design.

Zak Prekop
Zak Prekop was born in 1979 in Chicago and currently lives and works in Brooklyn. He has shown his work in solo exhibitions at: Essex Street, New York; Shane Campbell Gallery, Chicago; Thomas Duncan Gallery, Los Angeles; Hagiwara Projects, Tokyo; Galería Agustina Ferreyra, San Juan; Galería Marta Cervera, Madrid; and in Art Statements at Art Basel with Harris Lieberman Gallery. His work was included in the group exhibitions Painter Painter at The Walker Art Center, Minneapolis; The Pittsburgh Biennial at the Carnegie Museum of Art; The Prague Biennial, and Greater New York 2010 at MoMA PS1, New York. His work is in the permanent collections of the Walker Art Center and the Carnegie Museum of Art.

Diane Samuels
Diane Samuels is a visual artist with studio and public art practices. She is also co-founder of City of Asylum Pittsburgh that provides sanctuary to writers in exile. Her exhibitions include those at: the Andy Warhol Museum, the Carnegie Museum of Art, the Mattress Factory Museum in Pittsburgh; the Leo Baeck Institute and the Center for Book Arts, New York; the Aldrich Contemporary Art Museum in Connecticut; the Contemporary Arts Center of Cincinnati; the Municipal Museum of Art in Gyor, Hungary; the Synagogue Center in Trnava, Slovakia; the Bernheimer Realschule in Buttenhausen, Germany; and the Czech Museum of Fine Arts.

In 2013 she was recipient of a Rockefeller Bellagio Residency in Italy and an American Academy in Jerusalem Fellowship. Samuels holds both BFA and MFA degrees from Carnegie Mellon University, a diploma from the Institute in Arts Administration at Harvard University and has received honorary doctorates from Seton Hill University and Chatham University.

Carrie Schneider
Carrie Schneider was born in Chicago in 1979 and is currently a Brooklyn-based artist working in photography, film and video installation. Her work has been shown widely at international arts institutions, including: the Museum of Contemporary Art, Chicago; The Finnish Museum of Photography, Helsinki; Gallery 44, Toronto; Fotogalleriet, Oslo; the Mattress Factory, Pittsburgh; Trondheim Academy of Fine Art, Norway; The Andy Warhol Museum, Pittsburgh; Kunsthal Charlottenborg, Copenhagen; The Kitchen, New York; Galería Alberto Sendrós, Buenos Aires; and the California Museum of Photography, Riverside. She received a Jerome Foundation NYC Film, Video, and Digital Production Grant, a residency fellowship from the Joan Mitchell Foundation, and a 2015 Creative Capital Award. She has also participated in residencies with the artist Rineke Dijkstra and with her longtime collaborator, choreographer Kyle Abraham. Schneider earned her BHA in Fine Arts and Psychology in 2001 from Carnegie Mellon University and her MFA from the School of the Art Institute of Chicago. She attended the Skowhegan School of Painting and Sculpture, the Finnish Kuvataideakatemia (Academy of Fine Arts), Helsinki, as a Fulbright Fellow, and the Whitney Museum of American Art Independent Study Program.

Jina Valentine
Jina Valentine is an Assistant Professor of Art at University of North Carolina at Chapel Hill. She received her MFA from Stanford University and a BFA in 2001 from Carnegie Mellon. Her work has been exhibited widely at venues including: The Drawing Center, Marlborough Gallery, and the Studio Museum in Harlem, all in New York. She has been an artist in residence at The Skowhegan School of Painting and Sculpture in Maine, Sculpture Space in New York, Santa Fe Art Institute in New Mexico, and will be in residence at Project Row Houses in Houston, the Frans Masereel Centrum in Brussels, and the Joan Mitchell Center in Los Angeles in 2016. She is currently a fellow of the Open Sessions program at The Drawing Center, and is consulting curator for Elsewhere Museum’s Southern Constellation Series residency in Greensboro, North Carlina. Black Lunch Table, a collaborative project co-founded at Skowhegan in 2005 with New York based artist Heather Hart, was awarded a 2016 Creative Capital Fellowship and a Digital Innovation Fellowship through the Institute for Arts and Humanities at UNC.

Rebecca Vaughan
Rebecca Vaughan received her BFA cum laude in Sculpture at the University of Colorado, Boulder and an MFA in 2001 at Carnegie Mellon. She is currently the Program Director at the Art Students League of Denver and former Chair of Fine Arts and Head of Sculpture at the Rocky Mountain College of Art + Design. She held a residency as a Resource Artist at Redline Denver from 2011-2013. Prior positions included: working as project manager for Ann Hamilton’s 2008 Circles of O performance; assisting in other projects in Dialog: City, a city-wide arts event for the Democratic National Convention in Denver; serving as an Artist-Teacher for the Vermont College of Fine Art; and teaching as a visiting instructor at Bowling Green State University in Ohio.

Gregory Witt
Gregory Witt grew up in Indiana, where he completed a BFA in Sculpture at Indiana University in 2005. Since 2006, he has been living and making art in Pittsburgh, where he earned his MFA from Carnegie Mellon University in 2009. He has exhibited nationally, most recently at Brown University’s Bell Gallery and the University of West Virginia’s Mesaros Gallery.